
Surrealism. Dali and Magritte

Surrealism emerged in the 1920s as an avant-garde movement in art.
Having studied the then popular theories of Sigmund Freud’s psychoanalysis, artists became more interested in the inner world than ever before. “Pure mental automatism”, “uncontrolled dictation of thoughts, beyond any aesthetic and moral considerations” – this is how they spoke about their work.
Through allegories, plunging into the unconscious: secret desires, thoughts, childhood memories, dreams and fears – surrealists believed that a higher reality lived on the canvas, which was painted by something greater and greater than the artist himself.
A lecture by Anastasia Kuznetsova will examine the movement of surrealism using the example of the biographies of two very different artists: Salvador Dali and Rene Magritte.
Π‘ΡΡΡΠ΅Π°Π»ΠΈΠ·ΠΌ Π²ΠΎΠ·Π½ΠΈΠΊ Π² 1920-Ρ Π³ΠΎΠ΄Π°Ρ ΠΊΠ°ΠΊ Π°Π²Π°Π½Π³Π°ΡΠ΄Π½ΠΎΠ΅ Π½Π°ΠΏΡΠ°Π²Π»Π΅Π½ΠΈΠ΅ Π² ΠΈΡΠΊΡΡΡΡΠ²Π΅.
ΠΠ·ΡΡΠΈΠ² ΠΏΠΎΠΏΡΠ»ΡΡΠ½ΡΠ΅ ΡΠΎΠ³Π΄Π° ΡΠ΅ΠΎΡΠΈΠΈ ΠΏΡΠΈΡ ΠΎΠ°Π½Π°Π»ΠΈΠ·Π° ΠΠΈΠ³ΠΌΡΠ½Π΄Π° Π€ΡΠ΅ΠΉΠ΄Π°, Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΈ Π·Π°ΠΈΠ½ΡΠ΅ΡΠ΅ΡΠΎΠ²Π°Π»ΠΈΡΡ Π²Π½ΡΡΡΠ΅Π½Π½ΠΈΠΌ ΠΌΠΈΡΠΎΠΌ Π±ΠΎΠ»ΡΡΠ΅, ΡΠ΅ΠΌ ΠΊΠΎΠ³Π΄Π°-Π»ΠΈΠ±ΠΎ. Β«Π§ΠΈΡΡΡΠΉ ΠΏΡΠΈΡ ΠΈΡΠ΅ΡΠΊΠΈΠΉ Π°Π²ΡΠΎΠΌΠ°ΡΠΈΠ·ΠΌΒ», Β«Π±Π΅ΡΠΊΠΎΠ½ΡΡΠΎΠ»ΡΠ½Π°Ρ Π΄ΠΈΠΊΡΠΎΠ²ΠΊΠ° ΠΌΡΡΠ»Π΅ΠΉ, Π·Π° Π³ΡΠ°Π½ΠΈΡΠ°ΠΌΠΈ Π»ΡΠ±ΡΡ ΡΡΡΠ΅ΡΠΈΡΠ΅ΡΠΊΠΈΡ ΠΈ Π½ΡΠ°Π²ΡΡΠ²Π΅Π½Π½ΡΡ ΡΠΎΠΎΠ±ΡΠ°ΠΆΠ΅Π½ΠΈΠΉΒ» – ΡΠ°ΠΊ ΠΎΠ½ΠΈ Π³ΠΎΠ²ΠΎΡΠΈΠ»ΠΈ ΠΎ ΡΠ²ΠΎΡΠΌ ΡΠ²ΠΎΡΡΠ΅ΡΡΠ²Π΅.
Π‘ ΠΏΠΎΠΌΠΎΡΡΡ ΠΈΠ½ΠΎΡΠΊΠ°Π·Π°Π½ΠΈΠΉ ΠΏΠΎΠ³ΡΡΠΆΠ°ΡΡΡ Π² Π±Π΅ΡΡΠΎΠ·Π½Π°ΡΠ΅Π»ΡΠ½ΠΎΠ΅: ΡΠ°ΠΉΠ½ΡΠ΅ ΠΆΠ΅Π»Π°Π½ΠΈΡ, ΠΌΡΡΠ»ΠΈ, Π΄Π΅ΡΡΠΊΠΈΠ΅ Π²ΠΎΡΠΏΠΎΠΌΠΈΠ½Π°Π½ΠΈΡ, ΡΠ½Ρ ΠΈ ΡΡΡΠ°Ρ ΠΈ β ΡΡΡΡΠ΅Π°Π»ΠΈΡΡΡ ΡΡΠΈΡΠ°Π»ΠΈ, ΡΡΠΎ Π½Π° Ρ ΠΎΠ»ΡΡΠ΅ ΠΆΠΈΠ²ΡΡ Π²ΡΡΡΠ°Ρ ΡΠ΅Π°Π»ΡΠ½ΠΎΡΡΡ, ΠΊΠΎΡΠΎΡΠ°Ρ Π±ΡΠ»Π° Π½Π°ΠΏΠΈΡΠ°Π½Π° ΡΠ΅ΠΌ-ΡΠΎ Π±Γ³Π»ΡΡΠΈΠΌ ΠΈ Π²Π΅Π»ΠΈΠΊΠΈΠΌ, ΡΠ΅ΠΌ ΡΠ°ΠΌ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊ.
ΠΠ° Π»Π΅ΠΊΡΠΈΠΈ ΠΠ½Π°ΡΡΠ°ΡΠΈΠΈ ΠΡΠ·Π½Π΅ΡΠΎΠ²ΠΎΠΉ ΡΠ°ΡΡΠΌΠΎΡΡΠΈΠΌ ΡΠ΅ΡΠ΅Π½ΠΈΠ΅ ΡΡΡΡΠ΅Π°Π»ΠΈΠ·ΠΌΠ° Π½Π° ΠΏΡΠΈΠΌΠ΅ΡΠ΅ Π±ΠΈΠΎΠ³ΡΠ°ΡΠΈΠΉ Π΄Π²ΡΡ ΠΎΡΠ΅Π½Ρ ΡΠ°Π·Π½ΡΡ Ρ ΡΠ΄ΠΎΠΆΠ½ΠΈΠΊΠΎΠ²: Π‘Π°Π»ΡΠ²Π°Π΄ΠΎΡΠ° ΠΠ°Π»ΠΈ ΠΈ Π Π΅Π½Π΅ ΠΠ°Π³ΡΠΈΡΡΠ°.
