Mikhail Bulgakov “The Master and Margarita”

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Mikhail Bulgakov worked on this luminous book throughout one of the darkest decades of the century. His last revisions were dictated to his wife a few weeks before his death in 1940 at the age of forty-nine. For him, there was never any question of publishing the novel. The mere existence of the manuscript, had it come to the knowledge of Stalin’s police, would almost certainly have led to the permanent disappearance of its author. Yet the book was of great importance to him, and he clearly believed that a time would come when it could be published. Another twenty-six years hardtop before events bore out that belief and The Master and Margarita, by what seems a surprising oversight in Soviet literary politics, finally appeared in print. The effect was electrifying.

The monthly magazine Moskva, otherwise a rather cautious and quiet publication, carried the first part of The Master and Margarita in its November 1966 issue. The 150,000 copies sold out within hours. In the weeks that followed, group readings were held, people meeting each other would quote and compare favourite passages, there was talk of little else. Certain sentences from the novel immediately became proverbial. The very language of the novel was a contradiction of everything wooden, official, imposed. It was a joy to speak.

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